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Rachel Cohen

Baldwin (4)

Beauford Delaney Eyes

Friday, June 5, 2020

Drawing together the two paintings I’ve been considering this week – Delaney’s Untitled (Village Street) , 1948, and his Self-Portrait , 1944. Beauford Delaney, Untitled (Village Street), 1948, Terra Foundation of Art. All detail photos Rachel Cohen. Beauford Delaney, Self-Portrait, 1944, Art Institute of Chicago. All detail photos Rachel Cohen. When I was with Untitled (Village Street) , I noticed the repeating [...] more

Beauford Delaney and James Baldwin, Notes of Native Sons

Wednesday, June 3, 2020

Between the thirties and the end of World War II, there was perhaps as radical a change in the psychological perspective of the Negro American toward America as there was between the Emancipation and 1930. —Amiri Baraka, Blues People: Negro Music in White America When I looked at this painting, painted in 1948, Beauford Delaney’s Untitled (Village Street) at length this winter, I was very struck by the way one side of the painting is very clearly in color, and the other [...] more

Delaney and Morisot Ochre: This Week in Self-Portraits

Friday, April 24, 2020

Yesterday, looking at pictures of Beauford Delaney’s Untitled , 1965, I noticed a kind of ochre in the corner that I hadn’t remembered being part of the palette. It's down in the lower right corner, near the rosy orange, under the diagonal of green. Beauford Delaney, Untitled, 1965. Art Institute of Chicago. Photo Rachel Cohen. I have also been going through Morisot paintings this week, and her self-portrait, with its ochre, came into view. [...] more

Abstraction and Eyes

Sunday, April 13, 2014

One of the unusual aspects of Beauford Delaney’s work as an abstract painter was that even late in his career, when he lived in Paris and had moved very fully into abstraction, he also painted very specific and characterful portraits.  These two kinds of paintings were shown together during his lifetime – at, for example, the Galerie Lambert on the Île St. Louis in 1964 – and have been shown so since his death – in particular at the Levis Gallery in Chelsea last year, an exhibition, that, regrettably, I was not in New York to see. [...] more