A Pissarro landscape has a special quality. As in a Monet, the vegetation has a lift, but this is even a bit more pronounced, so that there is a strong space around the leaves, which have a kind of brio. Detail from Camille Pissarro, A Cowherd at Valhermeil, Auvers-sur-Oise, 1874. As in a Sisley, there are glints, and the overall effect [...] more