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yellow (11)

Van Gogh's Room In Detail

Tuesday, June 16, 2020

It is nearly midnight. Dark out. Someone is setting off fireworks. In the house very quiet. I think of Van Gogh, to whom it was important to have these few rooms, with enough room for him to paint, and for Gauguin to come and be sheltered, these rooms in the yellow house in Arles. [...] more

Van Gogh's Room

Monday, June 15, 2020

Today there is a small glitch in the program that allows me to upload images as part of these notebook entries, and this changes how I can take you through Van Gogh's room — the square table with the blue pitcher in its bowl and the stoppered glass bottles, the open green casement window, the floor with its rough texture of green and brown, the two bright yellow straw chairs, the red cover on the bed, the row of pegs on the wall on which hang the blue work clothes and the soft-brimmed hat — [...] more

Jeff Donaldson and Miles Davis: Report on a South Side Mood

Monday, June 8, 2020

Today I just want to report on a mood that the children and I happened into around 5:30 yesterday afternoon. A beautiful mood, such as I have never encountered before, fine and distinct. ** The children and I found the mood at Lake Michigan on Promontory Point, which was open yesterday for the first time in nearly three months. We got word from a friend that it was possible to go. We rode our bikes down around 5 in the afternoon. It was a [...] more

Weekend Glimpse Norman Lewis

Saturday, June 6, 2020

This work in pastel and ink by Norman Lewis caught my attention one day at the Smart Museum of Art. The story wears us down. Lewis grew up in Harlem, his parents were Bermudian, he studied with Augusta Savage. He worked alongside Pollock in the WPA and showed with Mark Rothko and went to the meetings of the Abstract Expressionists, he founded the gallery Cinque with Romare Bearden and Ernest Crichlow, he had shows in his lifetime at MoMA and the Whitney, but [...] more

Beauford Delaney and James Baldwin, Notes of Native Sons

Wednesday, June 3, 2020

Between the thirties and the end of World War II, there was perhaps as radical a change in the psychological perspective of the Negro American toward America as there was between the Emancipation and 1930. —Amiri Baraka, Blues People: Negro Music in White America When I looked at this painting, painted in 1948, Beauford Delaney’s Untitled (Village Street) at length this winter, I was very struck by the way one side of the painting is very clearly in color, and the other [...] more
Delaney

Beauford Delaney Close Looking

Thursday, April 23, 2020

I had about a half an hour with it. The kind people who work at the Art Institute of Chicago had arranged an appointment. It was in the director’s suite, behind an administrator, who typed away at her computer while I was looking and photographing. Which is by way of saying that the impression of calm is hard-won, mostly due to the painting, and to efforts of concentration. What a painting. It’s [...] more
Cézanne, still life

Cézanne and Ponge: Wooden Table

Frederick Project: Tableau

Monday, April 13, 2020

The painting is called Still Life with Commode . It’s from 1887-88, a strong period of Cézanne’s work. He was fighting hard with his canvases, and able to do some of what mattered to him. He made two very similar versions of this painting, which was unusual for him; there is only one other still life pair where he worked through the same arrangement twice. So, the elements and their arrangement here were of unusual interest to him. The back of the picture is the commode. [...] more

Sargent Stone Water Stone Paper

Frederick Project: Materials

Thursday, April 9, 2020

In 2013, a show of John Singer Sargent watercolors. I saw it at the Museum of Fine Arts in Boston; it was co-organized with, and also shown at the Brooklyn Museum of Art. These two institutions have the two finest collections of Sargent watercolors. These first details are from I Gesuati , ca. 1909. [Works shown in this post belong to the Museum of Fine Arts, Boston; except for two, belonging to the Brooklyn Museum, noted below. ] It [...] more
Hiroshige

Hiroshige's Views of Kyoto

Frederick Project: Reconstruction

Wednesday, April 8, 2020

In December of 2019, I went to New York for a few days and various reasons, and I went twice to the Metropolitan Museum of Art. I was covering their show Kyoto: Capital of Artistic Imagination , for which they had reinstalled their Japanese galleries with works from their permanent collection that partake in the long Kyoto tradition. Kyoto was for many centuries the capital of Japan – this capital was eventually shifted to Edo, which is now called Tokyo. The two cities were connected by a famously beautiful road, the Tokaido [...] more
Ringgold, Smart

Faith Ringgold at St. Tropez

Frederick Project: Colors and History

Friday, March 20, 2020

Thinking of intense experiences of color in the last few months. Immediately Faith Ringgold. Her painted canvas and quilt On the Beach at St. Tropez , from the series of twelve story-quilts The French Collection , which came as a revelation in the Smart Museum of Art’s show called Down Time: On the Art of Retreat this past fall. You walked into the gallery and were literally flooded with color. Ringgold paints on canvas [...] more

Abstraction and Eyes

Sunday, April 13, 2014

One of the unusual aspects of Beauford Delaney’s work as an abstract painter was that even late in his career, when he lived in Paris and had moved very fully into abstraction, he also painted very specific and characterful portraits.  These two kinds of paintings were shown together during his lifetime – at, for example, the Galerie Lambert on the Île St. Louis in 1964 – and have been shown so since his death – in particular at the Levis Gallery in Chelsea last year, an exhibition, that, regrettably, I was not in New York to see. [...] more